Starting in 1977, he was additionally present in Warren's horror magazines, Eerie, Creepy and Vampirella. He continued his adaptation work at Marvel in 1975, and also drew for the company's 'Unknown Worlds of Science Fiction'. He was additionally the artist of several stories of 'Korak, the Son of Tarzan', and until 1978 he was a regular artist for DC's Weird War Tales. For Rima, he made the series 'Space Voyagers'. In 1973 he illustrated 'Captain Fear' for Adventure Comics from a script by Bill Kanigher. mystery titles and drew comic adaptations of literary classics like 'Moby Dick', 'The Time Machine' and 'The Three Musketeers' for Pendulum Press. Already active in the US since the early 1970s, he contributed to D.C. Alex Niño freelanced for several comics companies, like PSG Publications, where he did a series of short stories about Bruhilda Witch and where a number of his collaborations with Pablo Gomez were made into movies.Įven the Dead shall Laugh (Weird Mystery #6, 1973)īy 1975, Niño ended his collaboration with Gomez and started to focus on the U.S. Again in associationi with Isidro, he made the series 'Mga Matang Nagliliyab' ('The Eyes that Glow in the Dark') in Alcala Komiks. In 1966, Niño came up with his own comic, 'Gruaga - The Fifth Corner of the World', for Pioneer Komiks. Gomez, who gave him full artistic freedom. Isidro to create 'Dinoceras' for Redondo Komiks.Īfter working on a couple of stories with Mars Ravelo, he began an association with publisher Pablo S. In 1965, after learning the finer points of the comics profession from Jess Jodloman, he started a collaboration with Clodualdo del Mundo and created 'Kilabot Ng Persia' ('The Terror of Persia') for Pilipino Komiks.
He was a medical student at the University of Manilla, but eventually chose an artistic profession. He began his career assisting his father, who was a photographer. Niño was born in Tarnac, The Philippines, and dreamed of being a comic artist since he was a small boy.
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